Author Interview: Writing & Marketing for Multiple Age-Levels

Author Interview: Writing & Marketing for Multiple Age-Levels

By Robin Galbraith

In today’s world of author branding how do you market yourself if you’re interested for writing for more than one age level?  What are the joys and challenges of working across age levels? Are agents still willing to work with someone who doesn’t commit to just one age level?

These are the questions I asked five currently publishing authors: Hena Khan, 

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Guest Post: Erin E. Moulton on an Anthology Proposal Crash Course

By Erin E. Moulton

In 2015, I had an idea for an anthology. It would be a collection written by sexual violence survivors for teen readers.

It would be part documentary, part creative content, part informational resource. That anthology was published in March 2018 and was called Things We Haven’t Said: Sexual Violence Survivors Speak Out (Zest Books,

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Intern Insights: How Lenore Appelhan’s Friends Created A Wonderful Book Launch Under Difficult Circumstances

By Robin Galbraith

Putting together a fabulous book launch is tricky for any author. But what if the author has a family tragedy just a few weeks before their book comes out?

At the beginning of the year, Lenore Appelhans, author of the delightfully clever YA novel The Manic Pixie Dream Boy Improvement Project (Carolrhoda Lab),

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Guest Post: Diane Telgen on Stories of Foreshadow: A Serial YA Anthology

By Diane Telgen

Fans of young-adult short stories may have noticed the anthology format making a comeback in recent years. But other outlets for original YA fiction, like magazines and websites, are few and far between—especially if they pay their writers. The options can be even more limited for new voices trying to break into the market.

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Guest Post: Deborah Halverson on Viewing Narrative Beats as “Revelatory” Beats in MG/YA Fiction

Guest Post: Deborah Halverson on Viewing Narrative Beats as “Revelatory” Beats in MG/YA Fiction

Deborah Halverson

By Deborah Halverson

We work hard to get to know our characters.

Creating bios, interviewing them, giving them personality tests. One discovery tool often overlooked in this great pursuit are the small actions tucked into the narrative beats.

Narrative beats are those little breathers in dialogue, sometimes filled simply with speaking tags like he said,

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