Guest Post: J. Albert Mann on Choosing Fiction Over Nonfiction to Write Margaret Sanger’s Life

By J. Albert Mann

The Choice Between Fiction or Nonfiction

Choosing is what writers do. We choose our subjects, our characters, our point of views. If you write fiction, you are literally responsible for every horrible event which befalls your characters because they’re all your choices.

But there are choices in nonfiction,

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Guest Post: Lori Mortensen on Writing Story Endings & If Wendell Had a Walrus

Guest Post: Lori Mortensen on Writing Story Endings & If Wendell Had a Walrus

By Lori Mortensen

Story beginnings are so important, it’s no wonder they get a lot of attention.

Writers not only have to come up with a fresh idea, they have to nail an opening hook that sets up the main character, grounds the reader in a specific setting, and gets a compelling story problem rolling.

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Intern Insights: Kate Pentecost on Four Writing Tips from My Boy Guillermo del Toro

Intern Insights: Kate Pentecost on Four Writing Tips from My Boy Guillermo del Toro

Guillermo del Toro
(image from The Shape of Water media kit)

by Kate Pentecost 

Academy Award winning director Guillermo del Toro has been My Boy for a long time, way before his monster romance The Shape of Water took home Best Picture and Best Director at the 90th annual Academy Awards ceremony and was nominated for scores of others.

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Author & Editor Interview: Jessica Lee Anderson, Madeline Smoot on Uncertain Summer

Author & Editor Interview: Jessica Lee Anderson, Madeline Smoot on Uncertain Summer

By Gayleen Rabakukk

I’ve always had a fascination with Bigfoot; the idea that an ape/human creature could be secretly living in the woods both intrigued and terrified me as a child.

So when I got the opportunity to chat with the author and editor of Uncertain Summer by Jessica Lee Anderson (CBAY,

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Guest Post: Sarah Albee on Brain Training: How Writers Must Learn to Shift Gears

Guest Post: Sarah Albee on Brain Training: How Writers Must Learn to Shift Gears

By Sarah Albee

If you write for kids, chances are you are working on several things at the same time.

 Most writers of books for kids don’t have the luxury of working on one project for years and years. We are short-order cooks, juggling multiple tasks at multiple stages.

So how do we shift gears between projects?

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