By Lindsey Lane
When an author or an illustrator gets the news that their book is going out of print (OP) or out of stock (OS), it is a blow. A tragedy. It feels like a death in the family.
After all, a book is a creation,
By Lindsey Lane
When an author or an illustrator gets the news that their book is going out of print (OP) or out of stock (OS), it is a blow. A tragedy. It feels like a death in the family.
After all, a book is a creation,
On the flight home after a recent conference, I read Cynthia Leitich Smith’s Hearts Unbroken (Candlewick, 2018). It struck a chord in part because, although I was elated that so many people had read advanced reader copies (ARCs) of my novel The Bridge Home (Nancy Paulsen Books,
Continue Reading Guest Post: Padma Venkatraman on Golden Silence, Gilded Words »
By A.R. Capetta
Rainbow Boxes is a charitable initiative to connect LGBTQIA fiction with readers across the United States.
When Cori McCarthy and I did our research for Rainbow Boxes (AKA the most fun research–it mainly consisted of reading every LGBTQ YA book we could find),
Rainbow Boxes co-founders Cori & A.R.
By A.R. Capetta
In 2015, it seemed like there was a slowly growing list of excellent YA books with central LGBTQ main characters–but there were clearly still barriers making it difficult for readers, especially teen readers, to find them.
Fellow YA author Cori McCarthy* and I created Rainbow Boxes to help bridge that gap,
Continue Reading Guest Post: A.R. Capetta on Something Good Happened in 2016: Celebrating LGBTQ YA »
New Voice Danica Davidson on Attack on the Overworld
Writing books that tie in with an already-known franchise offers both its rewards and its own sets of challenges, but ultimately it’s something I’ve enjoyed doing.
I’m the author of the Overworld Adventure series (Skyhorse, 2015-)(also known as books for Minecrafters) and the Barbie comic book Barbie: Puppy Party (Papercutz,
Continue Reading Guest Post: Danica Davidson on Writing Merchandise Tie-In Children’s Books »