Guest Post: Erin E. Moulton on an Anthology Proposal Crash Course

By Erin E. Moulton

In 2015, I had an idea for an anthology. It would be a collection written by sexual violence survivors for teen readers.

It would be part documentary, part creative content, part informational resource. That anthology was published in March 2018 and was called Things We Haven’t Said: Sexual Violence Survivors Speak Out (Zest Books, 2018).

It came out strong,

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Guest Post: Diane Telgen on Stories of Foreshadow: A Serial YA Anthology

By Diane Telgen

Fans of young-adult short stories may have noticed the anthology format making a comeback in recent years. But other outlets for original YA fiction, like magazines and websites, are few and far between—especially if they pay their writers. The options can be even more limited for new voices trying to break into the market.

Enter Foreshadow: A Serial YA Anthology,

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Guest Post: Yvonne Pearson on Publishing with Historical Society Presses

By Yvonne Pearson

In a stroke of good fortune, I published my first trade picture book with a regional publisher—Minnesota Historical Society Press (MNHS).

I had attended a gathering of our local Picture Book Salon to hear MNHS’ Managing Editor Shannon Pennefeather talk about the press’ relatively new focus on publishing children’s books. They had begun that effort in 2010 and continued to look for stories with a Minnesota slant.

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Guest Post: Lindsey Lane on Reframing the Reality of Books Going Out of Print, Part 4: The Editor’s Perspective

By Lindsey Lane

When an author or an illustrator gets the news that their book is going out of print (OP) or out of stock (OS), it is a blow. A tragedy. It feels like a death in the family. After all, a book is a creation, something that sprang from our imaginations, our hearts and our intellects.

Except…

Publishing is a business and a book going OP or OS is part of its life cycle.

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Guest Post: Lindsey Lane on Reframing the Reality of Books Going Out of Print, Part 3: The Agent Perspective

By Lindsey Lane

When an author or an illustrator gets the news that their book is going out of print (OP) or out of stock (OS), it is a blow. A tragedy. It feels like a death in the family. After all, a book is a creation, something that sprang from our imaginations, our hearts and our intellects.

Except…

Publishing is a business and a book going OP or OS is part its life cycle.

Continue Reading Guest Post: Lindsey Lane on Reframing the Reality of Books Going Out of Print, Part 3: The Agent Perspective »

Guest Post: Lindsey Lane on Reframing the Reality of Books Going Out of Print, Part 2: Author/Illustrator Perspective

By Lindsey Lane

When an author or an illustrator gets the news that their book is going out of print (OP) or out of stock (OS), it is a blow. A tragedy. It feels like a death in the family.

After all, a book is a creation, something that sprang from our imaginations, our hearts and our intellects.

Except…

Publishing is a business and a book going OP or OS is part its life cycle.

Continue Reading Guest Post: Lindsey Lane on Reframing the Reality of Books Going Out of Print, Part 2: Author/Illustrator Perspective »

Guest Post: Lindsey Lane on Reframing the Reality of Books Going Out of Print, Part 1: The Facts

By Lindsey Lane

When an author or an illustrator gets the news that their book is going out of print (OP) or out of stock (OS), it is a blow. A tragedy. It feels like a death in the family.

After all, a book is a creation, something that sprang from our imaginations, our hearts and our intellects.

Except…

Publishing is a business and a book going OP or OS is part its life cycle.

Continue Reading Guest Post: Lindsey Lane on Reframing the Reality of Books Going Out of Print, Part 1: The Facts »

Guest Post: Padma Venkatraman on Golden Silence, Gilded Words

By Padma Venkatraman

On the flight home after a recent conference, I read Cynthia Leitich Smith’s Hearts Unbroken (Candlewick, 2018). It struck a chord in part because, although I was elated that so many people had read advanced reader copies (ARCs) of my novel The Bridge Home (Nancy Paulsen Books, 2019) and loved it, I also realized I’d been suppressing a sense of hurt as a result of unintentional microaggressions I’d witnessed.

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