In a stroke of good fortune, I published my first trade picture book with a regional publisher—Minnesota Historical Society Press (MNHS).
I had attended a gathering of our local Picture Book Salon to hear MNHS’ Managing Editor Shannon Pennefeather talk about the press’ relatively new focus on publishing children’s books.
Continue Reading Guest Post: Yvonne Pearson on Publishing with Historical Society Presses »
By Cynthia Leitich Smith, Robin Galbraith, Gayleen Rabukukk, and Stephani Eaton for Cynsations
Author/Illustrator Insights
Day 16: Alicia D. Williams by Olugbemisola Rhuday-Perkovich from The Brown Bookshelf. Peek:
“I found solace in Judy Blume books.
I am thrilled to facilitate this conversation between Parker Peevyhouse, Will Walton, and Len Vlahos. These three published authors are also booksellers. They have the unique position of listening to and guiding young readers as they write for them.
Let’s start with some basic introductions.
I’m excited to share Jacqueline Lipton‘s journey from lawyer to children’s writer to lliterary agent.
How and why did you become an agent?
I’ve been interested in agenting for a long time, after someone suggested it to me many years ago as a way to merge my interests in law and business with my interests in writing and publishing.
Check out the cover of Brown Baby Lullaby by Tameka Fryer Brown, illustrated by A. G. Ford (Farrar, Straus and Giroux, January 14, 2020)
From the Gallt & Zacker Literary Agency sub-rights guide:
A beautifully illustrated portrayal of parental love in a family of color.
Continue Reading Cover Reveal & Author Snapshot: Brown Baby Lullaby by Tameka Fryer Brown »
By Cynthia Leitich Smith, Robin Galbraith, Gayleen Rabukukk, and Stephani Eaton for Cynsations
Author/Illustrator Insights
Day 11: Leslie C. Youngblood by Olugbemisola Rhuday-Perkovich from The Brown Bookshelf. Peek:
“Only one part of my process is ingrained in me: I write at 5 a.m.,
By Lindsey Lane
When an author or an illustrator gets the news that their book is going out of print (OP) or out of stock (OS), it is a blow. A tragedy. It feels like a death in the family. After all, a book is a creation, something that sprang from our imaginations,
By Lindsey Lane
When an author or an illustrator gets the news that their book is going out of print (OP) or out of stock (OS), it is a blow. A tragedy. It feels like a death in the family. After all, a book is a creation, something that sprang from our imaginations,
By Lindsey Lane
When an author or an illustrator gets the news that their book is going out of print (OP) or out of stock (OS), it is a blow. A tragedy. It feels like a death in the family.
After all, a book is a creation, something that sprang from our imaginations,
By Lindsey Lane
When an author or an illustrator gets the news that their book is going out of print (OP) or out of stock (OS), it is a blow. A tragedy. It feels like a death in the family.
After all, a book is a creation,