|Teachers’ Guide (PDF)|
A mesmerizing debut about a girl, a boy, and a dog struggling to survive in a parched and barren land.
Sarel is a girl with secrets. She knows which tree roots reach down deep to pools of precious water. But now she must learn how to keep herself and her dogs alive.
Nandi is the leader of those dogs. She knows they can’t last long without water—and she knows, too, that a boy is coming; a boy with the water song inside him.
Musa is that boy. His talent for finding water got him kidnapped by brutal men, yet he’s escaped, running away across the thirsty land that nearly claims his life.
And so Sarel, Musa, and the dogs come together in what might be their last hope of survival.
Could you tell us about your writing community-your critique group or partner or other sources of emotional and/or professional support?
I made a couple of good decisions that have resulted in a wonderful writing community that supports and challenges me.
|VCFA MFA in Writing for Children & Young Adults|
The first good decision I made was to pursue an MFA at Vermont College. The rigor of the program and the atmosphere of the school gifted me with true friends and very intelligent, insightful critique partners. I absolutely rely on their feedback.
The second good decision I made was signing with Ammi-Joan Paquette at Erin Murphy Literary Agency. This agency is not only excellent at the business of selling books, but they have also fostered a community among their authors.
While my VCFA friends are scattered around the country, my agency represents several authors in Colorado. There are so many strange and exciting and daunting aspects of the debut process—it has been really wonderful to be able to turn to some experienced (and kind) authors for advice.
As someone with a full-time day job, how do you manage to also carve out time to write and build a publishing career? What advice do you have for other writers trying to do the same?
I’m not going to sugarcoat it—this is hard!
The thing is, some writing tasks require every ounce of creative energy I have—like revising to meet my editor’s requests or drafting a new scene. But other tasks, such as making a marketing timeline or connecting with bloggers and teachers online or sketching plants for a field guide for students, take a lot less from me.
So I get up every morning before work to write for an hour. And I block out big chunks of time for writing and revising on weekends and holidays when my mind is clear and my creative energy is high. I can’t think of a single vacation I’ve taken in the last three years where I didn’t bring my manuscript with me!
Also, I am writing in some fashion every night after the day job is done, sending a few emails or adding new content to my website.
The best advice I have for other writers doing the same is to be kind to yourself. You can’t do everything, and if you try, chances are you won’t do anything well.
Set manageable goals for yourself. And celebrate them. Celebrating the little things—that’s a lesson I learned from you, Cynthia, so thank you!
How did you go about identifying your editor? Did you meet him/her at a conference? Did you read an interview with him/her? Were you impressed by books he/she has edited?
The wonderful thing is, my editor found me.
|Melanie’s writing buddy|
When I was in my third semester at Vermont College (and supposed to be
writing my critical thesis) this image of a girl and her dogs all alone
in a desolate landscape wouldn’t leave me. So I began to draft what
would eventually become Parched, my debut novel, a few scenes at a
By the end of the semester, when the time came to submit a few chapters for the Houghton Mifflin Harcourt prize for middle grade literature, I shoved all my doubts and insecurities to the back of my mind and sent in what I had.
I was thrilled when my manuscript was chosen and sent to HMH—a real editor at a fabulous house would be reading an excerpt of my story!
But the really great part was still to come. The editor who wanted to work with me, the editor who eventually acquired Parched, wholeheartedly embraced the risks I was taking with this story, and her support and guidance made the novel even better.
Yes, I am well aware of how very fortunate I am!