|Kansas State U. Powwow with son Carlos & cousin Matthew Lester (senior)|
By Traci Sorell
I had no idea how beneficial an agent could be when I attended my first SCBWI conference in October 2013.
I quickly realized how much about the industry I did not know.
I began to network with other children’s writers, especially fellow Native Americans, and when it came time to look for an agent, I utilized that network extensively.
I questioned fellow writers with representation, especially those from Native/people of color backgrounds, about their experience. I asked how agents had presented themselves at conferences or other events. I read agent online interviews and social media posts.
I wanted my agent to be a steadfast partner with a strong work ethic. It is a long-term relationship, so both people have to be dedicated to maintaining it. I required someone who was excited about my work and associated with a well-respected agency.
|Traci’s Reading Chair|
Ideally, I wanted someone who had editorial experience that reflects what I write—fiction, nonfiction, and Native/POC subjects. To be honest, this makes for a small submission list, so I did expand beyond that.
When I communicated with agents via email and telephone, I tracked whether what they shared reflected my list.
My gut got an extreme workout when I received two offers of representation on the same day. I cannot stress enough the importance of developing and checking in with trusted mentors.
Ultimately, I accepted Emily Mitchell‘s offer of representation with Wernick & Pratt Agency. She met every single item on my list. Her clients contacted me quickly and gave their honest feedback about her representation.
Emily had vetted me with my editor at Charlesbridge, her former employer. We had both done our homework.
To me, it is kismet that Emily presented at that first conference I attended—and in my home state of Oklahoma too! That day, she shared her desired client attributes—voice, authority, pragmatism and flexibility. I’d like to think I resemble her list, too.
Traci Sorell writes fiction and nonfiction for children featuring contemporary characters and compelling biographies. She has been an active member of SCBWI since August 2013.
In April 2016, Charlesbridge acquired her first nonfiction picture book, We are Grateful: Otsaliheliga, from the slush pile.
The story features a panorama of modern-day Cherokee cultural practices and experiences, presented through the four seasons. It conveys a universal spirit of gratitude common in many cultures.
Traci is an enrolled citizen of the Cherokee Nation. She grew up in northeastern Oklahoma, where her tribe is located.
She is a first-generation college graduate with a bachelor’s degree in Native American Studies from the University of California, Berkeley, where she graduated Phi Beta Kappa.
She also has a Master’s degree in American Indian Studies from the University of Arizona and a law degree from the University of Wisconsin. Previously, she taught at the University of North Dakota School of Law and the University of New Mexico.
She also worked as an attorney assisting tribal courts nationwide, advocated for national Native American health care, and directed a national nonprofit serving American Indian and Alaska Native elders. She now lives in the Kansas City area.
See also Story to Contract: Traci Sorell’s Incredible Journey by Suzanne Slade from Picture Book Builders. Peek: “Be grateful. Every day. If you approach your creativity and the process of writing from a place of gratitude, it opens you up. You will be more aware of story ideas, available to hear critiques that improve your craft, and connected to others around you in the kidlit world. Gratitude opens up receptivity.”
Emily Mitchell began her career at Sheldon Fogelman Agency, handling submissions, subsidiary rights, and coffee. She spent eleven years at Charlesbridge Publishing as senior editor, contracts manager, and director of corporate strategy. After a brief post-MBA stint in the non-publishing world, Emily returned to children’s books at Wernick & Pratt.
Her clients include Geisel Honor winner April Pulley Sayre, author/photographer of Best In Snow (Beach Lane, 2016); Caron Levis, author of Ida, Always (Atheneum, 2016); and Frank W. Dormer, author/illustrator of The Sword in the Stove (Atheneum, 2016) and Click! (Viking, 2016).