|Discussion Guide & Common Core Teacher Guide
“I thought you might sleep through it.” The creature smiled.
Saki’s voice was little more than a whisper. “Sleep through what?”
It leaned over. She stared into its will-o’-the-wisp eyes.
“The Night Parade, of course.”
The last thing Saki Yamamoto wants to do for her summer vacation is trade in exciting Tokyo for the antiquated rituals and bad cell reception of her grandmother’s village. Preparing for the Obon ceremony is boring. Then the local kids take interest in Saki and she sees an opportunity for some fun, even if it means disrespecting her family’s ancestral shrine on a malicious dare.
But as Saki rings the sacred bell, the darkness shifts. A death curse has been invoked…and Saki has three nights to undo it. With the help of three spirit guides and some unexpected friends, Saki must prove her worth-or say goodbye to the world of the living forever…
In writing your story, did you ever find yourself concerned with how to best approach “edgy” behavior on the part of your characters? If so, what were your thoughts, and what did you conclude? Why do you think your decision was the right one?
Though my protagonist certainly isn’t the most “edgy” in terms of behavior, she does start the story with a pretty big chip on her shoulder.
Saki’s act of rebellion is the catalyst that sets off the main events of the plot, so it had to be significant enough to provoke consequences without losing too much sympathy for her character.
To find this balance, her motivation was the key. From the beginning, Saki is a flawed hero with a lot of internal conflict; she’s trying to manage a toxic adolescent social life and her own need for acceptance from her peers, so it’s understandable when she caves to some of that pressure and makes a few bad decisions.
Making a big mistake may seem like the end of the world to a lot of people—and Saki certainly thinks so in the story—but I decided right from the concept stage that I wanted to deconstruct that idea.
A lot of the books I read growing up had a protagonist with a very strong sense of self, but Saki doesn’t have that yet. Her weaknesses are very human, and sometimes even a little petty. She’s still getting to know the person she’s becoming and that’s okay. Another key theme of the story is forgiveness, and Saki’s journey is all about second chances.
As a fantasy writer, going in, did you have a sense of how events/themes in your novel might parallel or speak to events/issues in our real world? Or did this evolve over the course of many drafts?
|Writing longhand in Osaka
The theme certainly evolved as the characters found their voices, but a sense of duality was there from the very beginning: city and country, young and old, modern and traditional, humans and spirits.
Anytime these things are put side-by-side there’s a tendency to pit them against one another. Go one step further and people start to separate themselves based on these perceived qualities.
One of the major themes of Saki’s story is finding the balance. Part of her journey towards self-discovery is recognizing that she can be dynamic and adaptable, and that she can inhabit more than one world at a time. In a world that seems increasingly divided in its thinking, I believe that’s a quality we should all aspire toward.
On a more concrete level, the story speaks to the issues of age, multi-generational families and tradition. Saki understands on some level why some of the rituals her family performs during the Obon holidays are important, but until she has an experience of her own she doesn’t feel as connected to the tradition.
Younger generations worldwide are facing similar experience gaps. The world we live in now is simply not the same as the world our parents and grandparents grew up in, so unless we invest some of our time in communication there is a lot we risk losing. Fittingly, this was one of the themes that took the longest to mature.
In both fantasy and reality, understanding the past is usually the surest way to help prepare for a brighter future.