By Karen Rock
Three of us went in.
Three of us came out.
None even a shadow of who they once were.
When their car breaks down in the middle of nowhere, Dee, her boyfriend Luke, and Luke’s brother Mike, seek help in the nearby town of Purity Springs.
But as they walk the vacant streets, the teens make some disturbing discoveries.
The seemingly deserted homes each contain a sinister book with violent instructions on disciplining children. The graveyard is full of unmarked crosses. Worst of all, there’s no way to contact the outside world.
When Purity Springs’ inhabitants suddenly appear, Dee, Luke, and Mike find themselves at the mercy of Elijah Hawkins, the town’s charismatic leader who has his own plans for the three of them.
Their only hope for survival is Elijah’s enigmatic son, Joseph. And his game may be just as deadly as his father’s . . .
In less than thirty words, tell us about Creed.
Lindsay: Creed is a psychological horror about three teens in upstate New York who find themselves at the mercy of a deadly cult, and their struggle to survive.
The setting of Creed is unusual. Would you tell us about it and what’s behind its inspiration? Are there any real life places that you might compare it to?
Trisha: Creed…or at least the start of it was a nightmare for me. I was on route to a concert with my sister and two of my childhood friends. We hit a deer and totaled our car, forcing us off the road.
Needing help, we wondered into a nearby town only to find it empty, emergency sirens blaring in the background. People had been there…recently. The car doors were open, there was food cooking on the stove, there was even a fire smoldering in the fireplace. It was like the townsfolk had just upped and vanished. What I could see were shadows, the outlines of people dancing behind the buildings. But I couldn’t get them to interact with me, couldn’t get them to even acknowledge my presence.
That’s when I woke up, heart pounding and irritated that my subconscious had left me suspended in a dream with no clue who or what was after me.
So in essence…Creed was my way of finishing that nightmare.
Lindsay: The inspiration came from a very vivid nightmare that Trisha had. Of course she immediately called me and freaked me out which led us both to think the same thing: We have to write this story.
I grew up in the Midwest, so Purity Springs looks like about three dozen small farming communities I grew up around. You know the look – flat land, roads that stretch for miles surrounded by fields of corn or soy. Yeah, that’s Purity Springs to me.
Describe your research for this book.
|Lindsay (black jacket over white print) & Trisha (in red) at their book launch.|
Trisha: Ah…the Internet is both an informative and invasive space, one that provided us with the foundation we needed to create the characters in Creed.
Creed is essentially a cult book, so we had to do a fair amount of research into not only the hierarchical structure of different cults but the mentalities of their leaders and followers.
We poured over interviews with individuals who had left cults, public documents surrounding investigations into their abusive practices, and their child-rearing believes. The research was both fascinating and heart-breaking.
Lindsay: We did a great deal of research into cult mentalities for Creed. For one, to create a convincing group of people we had to figure out the leader, Elijah and how he would operate. In addition, one of our characters – Joseph – grew up inside the cult, which makes his headspace a little trickier to get into without a lot of digging around.
Which character in Creed intrigued you the most and why?
Trisha: Dee. Hands down, Dee. I am not a plotter, but I do create rather detailed character maps. Before I even put pen to paper, I map out the emotional stage of my main character— their past, their present, even their future dreams come into play.
When I choose my main character, I am purposefully picking the character who will struggle the most…who has the most to lose in that setting.
Dee is a foster kid with a history of abuse both in and out of the system. She has trust issues, has an entire history she refuses to speak of never mind relive.
Forcing her into this cult, connecting her abusive past to the current practices of the town, forcing her to place her trust in a stranger…all that goes against every instinct…every lesson life has taught her. That’s what makes her character so fascinating to me; the constant internal struggle that has her questioning her every decision.
Lindsay: For me, Joseph hands-down. Joseph is one of those characters who exists in the gray spaces between good and bad. Like the Doctor in Frankenstein (1818). He might do some unsavory things, but it’s tricky to label him one way or the other because his motives complicate things. He’s a product of his circumstances, and that isn’t a simple thing to toss into one category or another.
Creed is receiving rave reviews with a just a few polarized opinions about the religious aspects in the books. What role does religion play in the novel?
Trisha: I think by default, Creed is going to rub some people the wrong way. I mean it is nearly impossible to write a book about a cult without delving into the religious foundation of their existence. That said, I don’t think religion is at the heart of the story.
When I set out to co-author Creed, I was more interested in exploring the darkness that surrounds us every day, the evil that lurks within a chosen few and their dark past and tortured existences. The cult setting was truly just the avenue I used to explore the darker side of humanity.
Lindsay: Religion in the novel is always an interesting question because Creed truly isn’t intended to be a commentary on any particular religion or even organized religion in general. It plays a role because these cults do exist and have existed in different parts of the world for years and that’s what makes it so scary. If you take the religion out, it’s really just about what happens when a person in a position of power begins to believe they are omnipotent and abuses it.
Do you think a world like Purity Springs exists or could exist? Why? Are there aspects of our society that lend itself to the events in this book?
Trisha: Absolutely….if not the town, than the people. There is a line in the book that I think answers this question perfectly:
“My father told me not to be fooled, that the devil had two faces —one charming and meant to draw you in, the other full of sinful pride.”
The seemingly innocuous people who we pass every day and never give them a second glance, the sweet neighbor next door who is living a double life…it is those people I tied to capture in Creed.
Lindsay: Ah, I might have accidentally answered this a little in the question above. But I’ll take this answer a slightly different route.
Yes, I see aspects of our society that lend themselves to the events in Creed. Every time you hear something terrible in the news about an authority figure – someone people trust and follow – it changes my perception of them and their private life whether I want it to or not.
This makes me think of Creed. Elijah Hawkins positions himself as taking care of others and protecting them, but once you begin peeling back his layers the truth is revealed and I can’t tell you how many times I’ve seen something like this in real life.
Describe a place, person or event that terrified you as a child.
Trisha: “Carol Anne, go into the light.”
Yeah…so I still might have a slight aversion to closets.
Who am I kidding? I still can’t sleep with the closet door open.
Lindsay: Gladly. I was always terrified by my grandmother’s basement. It was one of those places that just reeked of scary things – it smelled like dirt, was dark twenty-four hours a day and had one of those giant coal-burning furnaces stuffed in the back of it. I always had the unsettling sensation that something bad happened in there…even as a small child.
What draws you to YA horror fiction?
Trisha: I was deathly afraid of the dark when I was a kid. I used to check under the bed every night and refused to sleep without the hall light. My older brother used to tease me, say it wasn’t the monsters under the bed that I should be worried about, rather the ones lurking in the closet.
We were stupid, bickering kids back then, but years later, with a lifetime of experiences behind me, I finally got what he meant. There are no paranormal creatures in my manuscripts. No fangs, no claws, no mist as I like to say. It’s not because I don’t love a good fanged monster, but because I believe the darkness that surrounds us every day is scarier.
Lindsay: Well, the easy answer is that I love to be scared!
Well, let me add a caveat to that…I love what I call “safe fear”. So, the fear you feel in the movie theater, or curled up on your couch, or in bed reading a scary book. That fear is fun and exhilarating and nothing like real fear if you actually perceive yourself to be in danger. That’s why I like YA horror fiction.
When writing YA horror fiction, are there any lines you won’t cross with this genre?
Trisha: Hmm…I don’t think there is a thread or plot point I would avoid exploring so long as it is true to the character and his/her struggle. I don’t add things for shock factor, but I am not one to pull my punches either
Lindsay: Any lines we won’t cross. Hmmm.
Well, Trisha and I would probably be hard-pressed to kill any animals in our books. We’re both big animal lovers. But everyone and everything else is fair game.
Tell us about your journey in writing this book. How is writing as a team different than writing solo?
Trisha: Writing is a lonely process. You spend days, months, sometimes years in your own head, dreaming up characters that nobody but you can hear.
Co-authoring takes some of the isolation away. There is another person who is as intimately connected to the characters as you, who hears their voices and knows their plight.
I wouldn’t say my “solo” writing process is different – I’m still drawing out character maps, still fleshing out back-stories and constantly trying to find ways to inflict more pain on my characters — but it is definitely a more secluded process. Equally fulfilling, just quieter.
Lindsay: And as for writing as a team – it’s very different, but works amazingly well for us. Trisha and I have very similar writing styles and tastes and therefore it’s an adventure to team up on a book. Is it challenging sometimes? Sure. But overall, it’s a phenomenal experience and hey – two sets of eyes is better than one!
What essential things have you learned about writing in the last year? What have you learned from each other?
Trisha: I have learned that plotting is a necessary evil. When I wrote Creed and The Secrets We Keep (FSG, 2015), I was a total panster. I had solid start and a general idea of where I wanted the book to end, but everything in the middle…the wide open space.
Now that I am writing proposals for option books, I learned to make friends with dreaded outline. I don’t like it – outlining scenes and chapters doesn’t jibe with my writing process – but I understand its necessity and plow my way through it.
As for what Lindsay has taught me…she taught me to let go. I’m the kind of person who will revise a book to death, obsessing over it. Without her, I’m not sure I’d ever let a manuscript leave my computer. I’d still be sitting her staring at a dozen finished projects, tweaking perfectly fine sentences. In a way, she gives me the confidence to hit the “send” button.
Lindsay: I’ve learned better dialogue from Trisha for sure. She’s really a master at authentic and effortless dialogue and that’s something I’ve always had to work on.
And essential things I’ve learned about writing…I’d have to say I’ve learned to write the book I want to write. Creed wasn’t the easy book to write because it’s a challenging sell. It pushes the limits of YA fiction with some of it’s themes and for that reason, I think if Trisha and I had backed down and written something a little “safer” our path might have been simpler. But I think writing the book we wanted to write and writing it our way is ultimately what made it a good book.
Can you tell us about any upcoming novels, together or separately?
Trisha: On the solo front – My YA contemporary, The Secrets We Keep, drops April 28 with FSG.
On the co-authored front, Sweet Madness, a YA Historical Horror about the Lizzie Borden murders, drops August of 2015 with Merit Press. Hardwired, a stand-alone YA thriller that navigates that blurry line between nature and nurture, drops fall of 2015 with Flux.
Trisha Leaver graduated from the University of Vermont with a degree in social work. She lives on Cape Cod with her husband, three kids and one rather irreverent black lab. She is a member of SCBWI, the Horror Writers Association, and the YA Scream Queens. Find her at Twitter, Facebook and Instagram.
Lindsay Currie graduated from Knox College in Galesburg, Illinois; with an English Literature degree. She is a member of SCBWI, the Horror Writers Association and a contributor to the YA Scream Queens. Find her at Twitter, Facebook and Instagram.
|More on Karen Rock|
Karen Rock is
an award-winning YA and adult contemporary author. She holds a master’s
degree in English and worked as an ELA instructor before becoming a
full-time author. With her co-author, Joanne Rock, she’s penned the Camp Boyfriend series with Spencer Hill Press under the pseudonym J.K. Rock. She also writes contemporary romance for Harlequin Enterprises.
she’s not writing, Karen loves scouring estate sales for vintage books,
cooking her grandmother’s family recipes and hiking. She lives in the
Adirondack Mountain region with her husband, daughter, and two Cavalier
King cocker spaniels who have yet to understand the concept of “fetch”
though they know a lot about love.