Guest Post: Lee Wind: From Kickstarter to Book – The Wild Roller Coaster of Publishing My Debut YA Novel

Learn more about Lee Wind

By Lee Wind
for Cynthia Leitich Smith‘s Cynsations

There’s a saying that a work of art isn’t complete until it has been witnessed.

So the book I wrote that would have completely changed my life if I’d read it as a fifteen-year-old wasn’t complete. Not until it had readers.

Over six years, the manuscript for Queer as a Five-Dollar Bill had been written and re-written, eight full revisions in all, with the final polish under the brilliant editorial direction of National Book Award-winner M.T. Anderson at a Highlights Foundation workshop. It was ready, but with no readers, it wasn’t complete.

My agent at the time told me it had been submitted, over a period of two years, to more than twenty editors. In all that time, it had only received five rejections, with the rest not even bothering to respond. No book deal meant no readers.

I didn’t doubt the merit of my story. I didn’t doubt that I’m a good writer. I did doubt the courage of traditional publishing to put out a story that would be controversial, as the novel’s hook is a closeted teen boy discovering a secret from history—that Abraham Lincoln wrote Joshua Fry Speed letters that could prove the two men were in love. Romantic love.

This doubt was strengthened by what happened to the nonfiction book for young readers that I had sold to an imprint of Simon & Schuster in 2015. The Queer History Project: No Way, They Were Gay? included five chapters on men who loved men in history, and Abraham Lincoln and Joshua Fry Speed were one of those chapters. Everything was going great until two weeks after Trump’s election, I got a phone call. Suddenly, they absolutely couldn’t publish my book.

I got the rights back in January of 2016, and my agent at the time told me it was so strong she’d sell it in three weeks… It was sent, I was told, to eight editors. Nine months passed, and no responses. Not even a “no, thank you.”

I was sure I was being preemptively banned by a traditional publishing industry too afraid to rock the cultural boat that was suddenly, with the election of our 45th President, in stormy seas.

Now I’ve been blogging about books, politics, and culture for LGBTQ kids and teens since 2007. I’m Here. I’m Queer. What The Hell Do I Read? has done well, gaining an audience across the world that’s built over time—The blog passed 2.5 million page loads in July 2018. So I thought, maybe one way to reach readers would be to post chapters on my blog.

Starting in September of 2017, over 32 weeks, I serialized the entire novel. I knew people were reading it, and I liked the idea of it being available for free, forever.

But the experience of reading the manuscript, clicking for each chapter, felt different than reading a polished, published book with copyedited text, interior design, an author’s note, discussion questions, and all the other great stuff that makes a book in your hands such a transformative experience. How could I create that? How could I reach more readers?

Lee visited with the Pasadena City College Queer Alliance in May 2018.

Publishing a book professionally is expensive. Copyediting, design, cover art, setting up printing and wholesale fulfillment—it’s thousands of dollars if you’re doing it right. $5,600 was what I needed to cover those expenses. And wouldn’t it be amazing if in addition to having the money to do that, I could have the money to donate copies of the book to LGBTQ teens, as my book is a story that could empower them?

That’s where the idea of crowdfunding came in. A friend argued with me that it sounded like a lot of work for what wasn’t in the big scheme of things that much money. Couldn’t I take a loan, or ask two or three wealthy friends?

But I loved the idea of crowdfunding being a barn-raising. Of the community coming together to not just help me professional publish Queer as a Five-Dollar Bill but to also raise enough money to donate some dramatic number (I settled on 400 copies) of the book to LGBTQ and Allied teens.

In January 2018 I launched the Kickstarter project, and we fully funded in six days! The campaign went on for a full thirty days, and by the end 182 people had donated enough money to give away 810 copies of the novel to LGBTQ and Allied teens!

Now with the funding secured, the publish date was set, and I put on my publisher hat and got to work. I sent the manuscript out asking for blurbs. I held a cover design contest. I hired a book designer. I tested out copy editors, found a great one, and had them do their thing. I printed ARCs. I submitted the book for reviews. I printed up bookmarks, and started using them instead of business cards. I signed up for marketing programs, to let librarians and the rest of the trade know about my book.

And I gave away the first 260 copies of the ARCs to LGBTQ teens at four summer sessions of Camp Brave Trails.

Lee speaking to teens at Camp Brave Trails

I got a curve ball thrown at me when on July 25, 2018 it was revealed that my agent at the time had lied about submissions, and rejections, and two book offers that were ‘pending.’ She lied to about 60 other clients as well.

The book I’d decided to crowdfund and author publish may never even have been seen by any editor! I hadn’t been preemptively banned by a publishing industry in need of courage, I’d just been preemptively screwed over by a criminally manipulative agent! (Needless to say, Danielle Smith is no longer an agent, and I’m now represented by the ethical and wonderful Marietta Zacker.)

But the train had left the station: 182 people were waiting for their copies of Queer as a Five-Dollar Bill. I’d committed to give away 810 copies to LGBTQ teens. And I was already getting strong trade reviews! Librarians were interested! I’d started booking some events! And I’d told the world that I was publishing this book. That couldn’t change now.

So Queer as a Five-Dollar Bill publishes on Tuesday October 2, 2018 (BookBaby).

It’s the story of Wyatt, who is fifteen, and nobody in his homophobic small town of Lincolnville, Oregon, knows that he’s Gay. Not even his best friend (and accidental girlfriend) Mackenzie.

Then he discovers a secret from actual history: Abraham Lincoln was in love with another guy!

Since everyone loves Lincoln, Wyatt’s sure that if the world knew about it, they would treat Gay people differently and it would solve everything about his life.

So Wyatt outs Lincoln online, triggering a media firestorm that threatens to destroy everything he cares about—and he has to pretend more than ever that he’s straight. . . . Only then he meets Martin, who is openly Gay and who just might be the guy Wyatt’s been hoping to find.

And here’s hoping it reaches readers.

Lee signing ARCs of Queer As a Five Dollar Bill
for librarians at the ALA Conference in June 2018.

Author Interview: Longy Han on Crowdfunding Books

By Gayleen Rabakukk

for Cynthia Leitich Smith‘s Cynsations

Longy Han is the author of two books, Gusto & Gecko Travel to Kenya, illustrated by Elinor Hagg (Longy Han, 2015) and Gusto & Gecko Travel to New Orleans, illustrated by Elinor Hagg (Longy Han, 2016).

Her publication journey began as a crowdfunding project, and the second book was recently picked up by Scholastic Reading Club.

What was the initial spark for your book?

My love for travel to exotic places, my appreciation for different cultures, and my desire to bring the world to young children!

Children’s books played a big part in my childhood – when I first arrived in Australia, I didn’t speak a word of English (and neither did my parents). So I submerged myself in reading children’s books before eventually catching up to other kids my age. It made learning English so much more exciting.

What was the timeline from spark to publication?

A little under two years. The first version of Gusto & Gecko Travel to New Orleans dates back to May 2015, and I successfully crowdfunded the project in November 2015.

A year later, I had a launch party for the book at Harvard Graduate School of Education, was accepted into the Venture Incubation Program at the Harvard Innovation Lab and now, Scholastic Reading Club is distributing it online. Yay!

How did the Scholastic distribution come about?

A friend of mine recommended my books to them and they got in touch with me. I believe the sales of my first book got them interested in my second book!

What were the major challenges (literary, research, psychological, logistical) along the way?

Distribution, by far, is the biggest challenge for self-publishers.

It’s so difficult to reach your target market especially if you don’t have a marketing budget or existing distribution network. It’s everyone’s dream to sell directly to end customers but very few authors have achieved this.

On some days, I want to just throw in the towel because nothing seems to work. On other days, when I receive fan mail from kids with their scribbles of Gusto & Gecko, that just sends me over the moon and makes all the struggles worthwhile.

Which opportunities and challenges were unique to crowdfunding?

Crowdfunding is a great way to 1) test your idea, 2) build your fan base, and 3) raise the initial capital to self-publish.

One major misconception people have about crowdfunding is that the campaign starts on the day it goes live online.

That is false. Successful crowdfunding campaigns “launch” weeks before – you should have scheduled all your social media posts, told all your friends and family about the project, reached out to kidlit bloggers, etc.

A good rule of thumb is: the campaign needs to raise 50 percent of its funding target within the first 48 hours (otherwise it will most likely fail). If interested, this is a reflective piece I wrote about my experience.

Why did you decide to go that route?

Back in 2014, I spoke to an editor of a large publishing house about my first book, Gusto & Gecko Travel to Kenya, and she told me that they weren’t considering new authors for at least two years because their pipeline was already filled with published authors.

I’m not someone who sits around and wait for things to happen, and I guess the rest is history.

What did you learn from the process?

Persist until you succeed. And trust me, you will.

What advice would you give to someone else taking that route?

Look up other projects that have been successful and learn from them.

Look up Facebook pages on crowdfunding and get feedback from others in the community.

Remember, crowdfunding isn’t easy money but if you are committed, you can make it work.

Is there anything you’d like to add?

This is where I give a plug about Gusto & Gecko right?

But seriously, my email address is If any readers of this amazing blog want some advice or got more questions about crowdfunding, feel free to contact me.

Cynsational Notes

Longy Han is a lawyer turned children’s book author.

Naturally curious and mildly adventurous, she has traveled independently across seven continents, visited 40 countries and 100 cities. Longy has kissed a giraffe in Kenya, eaten rooster testicles in Budapest, swam with fish at the Great Barrier Reef and flirted with penguins in Antarctica.

She is currently studying for a master of education in technology, innovation and education at Harvard University. You can find her on Twitter @LongyHan. Watch the Gusto & Gecko crowdfunding videos on their YouTube channel.

Author Interview: Zetta Elliott on Ghosts, Magic & Imperialism

Zetta Elliott‘s last Cynsations interview was in 2009. Since then she’s published more than two dozen

books and nearly twice as many essays, like Decolonizing the Imagination for The Horn Book (March 2010).

I’ve been thinking a lot about the lasting effects of Imperialism and how it influences both society and literature. When I learned Zetta’s latest MG novel explores those themes – and includes castles and ghosts – I had to know more!

What was your initial inspiration for writing this book?

There was a time when almost everything I wrote could be traced back to something I saw on PBS. These days almost everything I write can be blamed on what I don’t see on PBS!

I love period dramas, but people of color are usually erased or marginalized even though we’ve always been present in – and contributed to – the eras being depicted.

I also wanted to address the issue of harm and reparations in a way that children could understand; I grew up in a “former” British colony (Canada) and so consumed a fair amount of literature and television programming that in no way reflected my own reality.

I’ve written elsewhere about my struggle to “decolonize” my imagination, and The Ghosts in the Castle (Rosetta Press, 2017) is really my attempt to heal some of the wounds caused by the erasure or misrepresentation of Black children.

It’s the book I wish I’d had as a child: a Black princess, a Black prince, and a haunted castle in England. All that’s missing is the dragon!

It’s also the book I wish my father had had when his Caribbean grandmother forced him to stay indoors and read Alice in Wonderland (which he loathed). That experience turned him off fiction for the rest of this life, and today I regularly meet kids of color who aren’t enthusiastic about reading because there aren’t enough books where they get to have magical adventures. This book is for them.

What were the challenges in bringing the text to life?

I’ve written several historical fantasy novels and the biggest challenge is always balancing fact and fiction. The research process can be time-consuming and rather tedious – especially when I know that I’ll probably only use 10 to 15 percent of it in the book. There’s nothing worse than info-dumping, no matter how interesting some facts may be, they only belong if they somehow advance the narrative or help with world-building.

Because I write speculative fiction, I also allow myself to bend history sometimes. For me, the story always comes first.

The internet made researching this book a lot easier. In 2015, I came across some elegant antique photographs of Sarah Forbes Bonetta (1843- Aug. 15, 1880) on Facebook; that led me to At Her Majesty’s Request: An African Princess in Victorian England by Walter Dean Myers (Scholastic, 1999).

I decided to write a story about Sarah (Myers’ book is nonfiction) and for some reason thought she had spent time at Kensington Palace.

When I finally got my facts straight, I found out that another African child had a connection to Queen Victoria. Prince Alemayehu of Ethiopia (April 23, 1861 – Nov. 14, 1879) is actually buried at St. George’s Chapel, and so I headed to London in October 2015 with the intention of visiting Windsor Castle. I went back in February 2016, and slowly the story began to take shape.

Photography isn’t allowed in the castle or chapel, so I took notes, but also reached out to the Windsor Castle library and a very kind archivist there answered some questions that helped a lot.

A neighbor with expertise in Ethiopian history and culture assured me I’d respectfully and accurately represented the prince’s sad story.

I wrote the book off and on over a year, but tried to honor the earliest chapters I’d written back in 2015. Initially, the two children didn’t get along, and when I reread those passages months later, I wondered whether I should change that. But I’m happy with the book’s resolution and their reconciliation.

I try to honor my initial impulses when I’m writing a book because they’re largely intuitive and not informed (limited) by subsequent research.

As an author/scholar how do your various roles inform one another? (Did this influence your decision to write this story for a MG audience?)

I wear a lot of different hats, but I definitely think about how the books I write could be used to start a conversation between kids and adults at home or in the classroom. My dissertation was on literary representations of lynching, so I’ve spent a fair amount of time thinking about trauma and its impact on Black people. I feel quite strongly that I have a responsibility to “teach the youth the truth” and that’s one reason I self-publish.

The Ghosts in the Castle is a book that likely would not appeal to corporate publishers and neither would Billie’s Blues (Rosetta Press, 2015), which gives lynching as one of the reasons for the Great Migration of African Americans out of the South. When I told my college students that I wanted to write a picture book about lynching, they were shocked. Yet many of those same students were furious that they’d never learned about lynching until they reached college. Children are taught about the Holocaust and some kids learn about slavery in the U.S., but many textbooks are sanitized or decontextualized.  
There’s a real fear within the dominant group that if children know the ugly truth about the country’s history, they’ll become embittered and “unmanageable” (to borrow a term from Frederick Douglass). But I think young people are empowered by the truth, and so my challenge is to make events and figures from the past relevant to contemporary kids who think Harry Potter novels have taught them all they need to know about England.
You have both self-published and traditionally trade published books. What are the challenges and benefits of self-publishing?
Illustration by Charity Russell

The benefits include telling my story my own way without needing the approval of someone who’s not from my community and not familiar with my culture(s). I’d already collaborated on two books with Charity Russell and so immediately went to her when I was looking for an illustrator. She’s brilliant and put in the time it took to get all the details right.

Last summer I wrote a book that would have been the third in the City Kids Series, except my agent – against all odds – managed to sell it to Random House. I won’t have a final say over the illustrator that’s selected and I can’t do anything about the Fall 2018 publication date.

But that sale prompted me to finish The Ghosts in the Castle. I wrote a thousand words a day for most of November until the book wrapped up at 25,000 words. Charity whipped out the illustrations and we got the book ready for publication in about two months.

I was at the Brooklyn Public Library last month and a youth librarian said, “Wait – you’re Zetta Elliott? A parent came in the other day asking for more easy readers by you.”

That parent and her child don’t matter to corporate publishers who need to sell thousands of books, but I can respond to that need within my community. I can act on the sense of urgency that I feel, and that kind of autonomy is really empowering. I know some folks will complain that I’m not following the conventions of other series: I don’t use the same protagonists in every book, and the reading level and length vary, but I’m not trying to mimic anyone else. To me, what connects the three books is the way they blend Black history with Black magic. I subvert some conventions and preserve others in a way that reflects the rupture and continuity that defines the African diaspora.
The challenge now, of course, is that most review outlets (including bloggers) won’t accept self-published books. So I have to rely on social media to get the word out.
Cynthia has supported me as a hybrid author from the very beginning and so I wasn’t afraid to approach Cynsations. But when I surveyed blogs that focus on middle grade fiction, most were closed to indie authors. So the marginalization and exclusion I’m writing about in my novels plays out in real life, too. But I’ve connected with some folks in the U.K. and they’re not snobbish about self-published books, so I’m hopeful that my book will find a home!

Guest Post: Jaclyn Dolamore on Writing Beloved Books

By Jaclyn Dolamore
for Cynthia Leitich Smith‘s Cynsations

I’ve moved into indie publishing lately, where it is entirely my choice which books I release into the world. So, I’ve been thinking about branding.

One thing it has taken me a while to realize is that just because you don’t write the most popular thing and you get some bad reviews because of it, doesn’t mean you need to change anything.

My second novel, Between the Sea and Sky (Bloomsbury, 2001), is my favorite of my published books. Its review average on Amazon and Goodreads was never great, which initially made me feel like there was no place in the world for what I most love to write.

However, as the years have gone by, I’ve gotten many fan letters for that book from both kids and adult women who tell me it’s one of their favorite books and they’ve read it many times. It took me all those years for the fan mail to trickle in before it finally dawned on me that it is the most beloved of all my books, as far as I can tell.

My brand is: cozy romantic fantasy about a couple in healthy relationship with lots of details about food, clothes, and domestic life, and bits of humor. The fantasy backdrop is more in the “courtly politics” vein rather than physical action, although there is a little of that.

The characters are always somewhat on the fringe of society, your lovable outcasts and weirdos, and if I’ve done my job, you keep reading because you find the characters delightful and you want to know what happens to them and see them find a place in the world.

Betsy the Cat

They are the kind of books you might read when you’re sick or having a bad day; where the characters are friends, the world is home, and you can trust that your heart won’t get ripped out of your chest.

A lot of readers like having their heart ripped out of their chest. They give me reviews that say they wanted more action, more magic, more highs and lows. It’s always tempting to listen to the bad reviews instead of the good.

And sometimes I love reading stuff that is epic, sweeping, dark. But when I try to write it feels like when I wear my disco dress with the fluttery sleeves. I love that dress but it just isn’t me the way my plain 1960s navy blue librarian dress is.

Other people might even like the disco dress better, but it doesn’t matter, I still would be happier living in the librarian dress.

As a reader, too, the cozy reads are the ones that fall apart on my shelf, because I pick them up again and again. So I realize now that it is more important to keep writing books that are the most me, and retain those readers who appreciate them too, than it is to try and chase the next big fantasy bestseller.

Cynsational Notes

Jaclyn’s books include:

  • Magic Under Glass (Bloomsbury, 2009); 
  • Between the Sea and Sky (Bloomsbury, 2011); 
  • Magic Under Stone (Bloomsbury, 2012); 
  • Dark Metropolis (Hyperion, 2014); 
  • Glittering Shadows (Hyperion, 2015); 
  • The Vengeful Half (Self-published, 2016); and 
  • The Stolen Heart (Self-published, 2016).

Guest Post: Linda Covella on Going Indie: Tips & Advice on Self-Publishing in the YA Book Market

By Linda Covella
for Cynthia Leitich Smith‘s Cynsations

Thinking of going indie?

Self-publishing can be a fun, exciting, and rewarding endeavor. But get ready for an eclectic collection of hats, because you’ll be wearing many. It’s important to realize you’re selling a product that should be of the highest quality.

Here are some tips and resources to help you through the process.


By the time you’re ready to publish, you should have already gone through developmental editing of concept, character, and plot issues. Now, you need a proofreader/copy editor.

Don’t rely on a random friend or relative. Keep self-published books a strong and respected force in the market by having your manuscripts edited professionally or by a trusted, experienced critique partner. (Whenever you hire an outside service, be sure to have a contract.) See my list of editors from author recommendations.

Tip: Other indie authors can be a great resource for any self-publishing questions.

Cover Design

Your cover should be unique while blending with other books in your genre (a fine line to walk).

There are three cover options:

DIY: Royalty-free images are available online, such as this site, which you can use to design your cover.

Pre-made covers. Google “pre-made book covers,” and you’ll find quite a few.

Custom cover design. I’ve compiled a list of recommended cover designers. Bibliocrunch and Girl Friday Productions offer editing, cover design, and other help for indies on a budget.


Do you need an ISBN (International Standard Book Number)?

Not necessarily, but most retailers and publishers require one. ( does not.)

With an ISBN, your book will be more discover-able by readers, bookstores, and libraries.

Currently the price for an ISBN (purchased through Bowker) is $125—not cheap. And you need one for the ebook and paperback of each title. If you plan to publish several books, you can buy them in bulk at greatly reduced prices; they never expire. Some businesses buy ISBNs in large quantities so they can then sell them at reduced cost.

There’s some controversy about the validity of these or “free” ISBNs, so obtain one from a reputable source. See Joel Friedlander’s article on ISBNs and the ISBN website.

Formatting and Publishing

Depending on where you decide to publish your book, you may need help formatting your manuscript. It’s free and easy to publish ebooks through Amazon’s Kindle Direct Publishing (KDP), and they accept Word docs. Amazon’s print service, Createspace, is free and requires only a PDF. They also offer professional publishing services.

Smashwords is an ebook publisher, accepts Word docs, but has a style guide that must be followed.

Smashwords has distribution agreements with all major online retailers and with Baker&Taylor, which libraries use to purchase books.

Draft2Digital publishes ebook and print books. They accept simple Word docs with no style guide to follow. They offer editing and cover design as well, and distribution agreements.

Smashwords or Draft2Digital? Here’s one blogger’s analysis.

IngramSpark is a print and ebook publisher with distribution agreements. They have a style guide to follow, and you may need a professional formatter. See blogger Linda Austin on IngramSpark vs. Createspace (book doctor Stacey Aaronson says it’s beneficial to use both)!


To price your book, check other books in your genre. A common price for ebooks is $3.99.

The freebie can be a good marketing tool when you have a series: offer the first book for free in the hope that the reader will buy the other books in the series.

Experiment with pricing; see where that “sweet point” is. Just remember, you’ve worked hard and deserve to be paid a reasonable price.

Marketing and Promotion

Once you’ve published your book, the real work begins. As an indie book publisher, marketing and promoting is a never-ending job! Here are some tips and resources:

Local schools, libraries, and bookstores. Ask if libraries and bookstores will carry your book. Contact schools to do author visits. Author Alexis O’Neill’s blog is a great resource on school visits.

Subscribe to newsletters for publishing news, tips, classes, freebies, and generally “knowing your industry.” Some good ones are:

Follow blogs, including those of your favorite YA authors. If you use WordPress, you can follow tags in your reader to find others with similar interests. Good blogs for self-publishing include:

  • Chris McMullen. Lots of info on Amazon, other self-publishing tips.
  • Bookbaby (another ebook and print book publisher). They had a recent Twitter chat with YA author Lauren Lynne.
  • IngramSpark has a blog on their website with self-publishing information.
  • Of course, Cynthia’s blog, Cynsations!

Guest blog on YA authors’ blogs. Most bloggers love having guest posts. Come up with an interesting topic and ask!

Join SCBWI (Society of Children’s Book Writers and Illustrators), check the website for resources, sign up for their newsletter, and get involved in your local chapter (you can join forces with other authors for book signings, etc.).

Use Social Media

  • Get your books noticed through accounts on Goodreads, Facebook, Twitter, Google+, Pinterest, Instagram, and other social media sites.
  • Join some young adult author and reader groups on Facebook and Goodreads to meet and learn from other YA authors, and to expose your books to readers.
  • Create a website. Pay someone or DIY with sites such as and Wix. This article showcases some “stellar” author websites.


It’s tough for indie authors to get reviews. Ask for reviews on your website and social media. Put a request at the end of your books. Here’s one list of bloggers who review books. Though the title says middle grade literature, most will also review YA books.


Do a blog tour (usually done when your book is newly published), and many of the bloggers will review your book. These businesses, among others, handle blog tours. Some specifically target YA audiences, but be sure to pick a blog tour company that lines your book up with YA bloggers.

Enter contests. Prizes can add credibility to and exposure for your books. There are many free contests and others, such as RONE, Chanticleer, and Literary Classics, have entrance fees. These three all have YA categories. And, of course, there are the biggies from ALA. See which awards accept indie books.

Advertise. Occasionally having a sale on your book and advertising can help boost visibility. Advertising prices and results vary. Most, if not all, of these promotional sites have YA categories. Missing from the list, but popular with authors, are The Fussy Librarian and Bookbub (expensive, but results can be worth it).

Self-publishing has lost its earlier stigma of “vanity publishing,” and readers are embracing indie authors and their books. Indies have discovered the advantages of self-publishing: control over content and cover design, higher royalties, and quicker time to market.

Do the research, put out a quality product, work on marketing, and you can find success and satisfaction as an indie author.

Cynsational Notes

Linda Covella’s varied background and education (an AA degrees in art, an AS degree in mechanical drafting & design, and a BS degree in Manufacturing Management) have led her down many paths and enriched her life experiences. But one thing she never strayed from is her love of writing.

Her first official publication was a restaurant review column for a local newspaper. But when she published articles for various children’s magazines, she realized she’d found her niche: writing for children. She hopes to bring to kids and teens the feelings books gave her when she was a child: the worlds they opened, the things they taught, the feelings they expressed.

She is a member of the Society for Children’s Book Writers and Illustrators (SCBWI). She lives in Santa Cruz with her husband, Charlie, and dog, Ginger.

No matter what new paths Linda may travel down, she sees her writing as a lifelong joy and commitment.
Find Linda at Facebook, Twitter, LinkedIn, Goodreads, Pinterest and YouTube.