How Attending the SCBWI National Conference Can Help Writers/Illustrators of Color by Andrea J. Loney on Don Tate‘s Blog. Peek: “Spending three days with so many published writers really shifted my thinking about my career. It was at that first conference that I really saw myself as a professional. I sold my first book five months after that weekend.”
12-Year-Old Marley Dias Is Publishing An Activism Guide For Children And Teens from Bustle. Peek: Scholastic announced Marley’s book, “will be presented as a relatable ‘keep-it-real’ guide” in which the founder of #1000BlackGirlBooks movement will discuss how kids can make their dreams come true and how they can use their passion to capture the attention of the media and policy makers to change the world.
The Brown Bookshelf: 28 Days Later Campaign: featuring a different Black children’s-YA author or children’s illustrator every day in February.
How Ten Years Producing “Car Talk” Helped Me Deal with Rejection by Louie Cronin on Writer Unboxed. Peek: “While I have never worked at a literary magazine, agency, or publisher…I know for sure they are screening – not just for good stories, but for variables we writers may never be able to anticipate. In many ways, they have the same challenging job I had at Car Talk: to slog through a mountain of submissions and come up with an artful, seemingly effortless mix.”
My Beautiful Birds by Jules at Seven Impossible Things Before Breakfast, reviews My Beautiful Birds (Pajama Press, March 2017) by author and illustrator Suzanne Del Rizzo. Peek: “Del Rizzo writes in an arresting first-person, present-tense voice, the story coming straight from the boy’s point of view (Sami, a Syrian refugee) and giving us a glimpse into his inner turmoil.” See also, Julie’s Kirkus essay, Refugee Odysseys.
Hena Khan on Countering the Narrative, part of the Counter Islamophobia Through Stories campaign at Kitaab World. Peek: “Stories are powerful tools for fostering acceptance and understanding, and highlighting diverse stories can expose children early on to people who are different from them. Inviting children into the lives of Muslim characters helps to demystify a community that is often misunderstood and misrepresented. See also, Open Call for Submissions from Muslim Writers, organized by agent Clelia Gore. Peek: “Literary agents are in a unique position to help contribute by bringing more empathy, compassion, understanding and tolerance into this world through books. We seek out unheard voices so that others can hear them.”
We Need Diverse Books is now accepting nominations for Bookseller of the Year. Does your local bookseller/bookstore promote diversity through their in-store displays and on social media?
This Week at Cynsations
- Cover Reveal & Author Snapshot: Uncanny by David Macinnis Gill
- New Voice: David Wright on Away Running
- Guest Post: Writing Across Gender Lines: Fiction that Appeals to Boys and Girls
- In Memory: Tom Shefelman
More Personally – Cynthia Leitich Smith
She also visited the Smithsonian’s National Museum of the American Indian and caught up with Vermont College of Fine Arts friends in town for the Association of Writers and Writing Programs Conference.
She is currently at the SCBWI National conference in New York City speaking about career building, social media and diversity in children’s-YA writing.
Cynthia has also been selected to judge the Katherine Paterson Prize for Hunger Mountain, the VCFA Journal for the Arts. Entry deadline is March 1.
- These Teens Vandalized a Building, So a Judge Sentenced Them to Read Diverse Books for a Year and You Are Sentenced to a Term of Hard Reading: Meeting Ignorant Actions With Books
More Personally – Gayleen Rabakukk
I’ve been embracing bibliotherapy this week, enjoying works by Zetta Elliott, Jason Reynolds, Kelly Barnhill and Simon Winchester. And I’m feeling inspired by this Scholastic News article about my hometown, Oklahoma City, and kids who stood up (or rather, sat down) to change the world.