Synopsizing Your Way to Success by Vaughn Roycroft from Writer Unboxed. Peek: “What I mean is, the words came pouring out, in a way they hadn’t in weeks. Much more so than they would be if I’d plunged in cold, or if I’d started a scene chart.”
Smarter Not to Rhyme My Picture Book? by Deborah Halverson from Dear Editor. Peek: “That’ll give you the read-aloud quality you’re probably aiming for, but without the challenges inherent in trying to tell a story while maneuvering the rules of rhyme.”
Finding Your Way Into a Story by April Bradley from Writers Helping Writers. Peek: “Character is a writer’s lodestone, and we enter our stories in various ways through them: what they want, what they’re doing, how they look, what they think, how they feel.”
What’s Your Character’s Hook? Does Your Hero or Heroine Have A Special Skill or Talent? by Angela Ackerman from Adventures in YA Publishing. Peek: “What you choose for your character doesn’t have to be mainstream–in fact, sometimes unusual talents add originality (like knowing how to hot wire a car…especially if the character happens to be a high school principal!)”
Interview: Mark Gottlieb, Literary Agent at Trident Media, by Darcy Pattison from Fiction Notes. Peek: “So it really depends but I try my best to leave creative decision matters ultimately up to the author and/or editor in order to avoid stepping on any toes.” See also Top Children’s Literary Agents, 2016-2017 (YA, MG, PB). Note: based on reported, not total, sales.
On Writing the American Familia by Meg Medina from The Horn Book. Peek: “That’s an experience familiar to fifty-four million people — seventeen percent of our population — who identify as Latino in the U.S. today. So it’s fair to say that I’m writing about the American family.”
Got a ‘reluctant reader’? Try poetry, says author Kwame Alexander by Julie Hakim Azzam from the Pittsburgh Post Gazette. Peek: “Sports, he said, ‘is a great metaphor for life,’ and a lure to talk about other things such as family and friendships.” See also Teen Read Week by Sylvia Vardell from Poetry for Children.
Revise or Give Up? by Mary Kole from Kidlit.com. Peek: “If there are weaknesses to your manuscript that you or someone else has identified, or if it’s in a very crowded category (zombies, for example) and you just don’t know if you can make a dent, I would really dig in to the area that needs work.”
How Your Hero’s Past Pain Will Determine His Character Flaws by Angela Ackerman from Writers Helping Writers. Peek: “In real life, who we are now is a direct result of our own past, and so in fiction, we need to look at who our story’s cast were before they stepped onto the doorstep of our novel.”
Thoughts on Stereotypes by Allie Jane Bruce from Reading While White. Peek: “The fact that (most) people don’t believe that any one of these stereotypes applies to the entire population of Black women doesn’t mean that they’re not stereotypes.”
Things Boys Have Asked Me by Joe Jiménez from Latinix in Kidlit. Peek: “Sometimes we might even forget they are there. Other times, we let these questions stick to us, like splinters, buried in our hands and feet.”
Managing Crowds of Characters from Elizabeth Spann Craig. Peek: “…my tricks this time didn’t seem to work that well, at least for this particular regular reader. As well, I didn’t use as many of my reminder tags/dialogue clues.”
Character Motivation Thesaurus Entry: Stopping an Event from Happening by Becca Puglisi from Writers Helping Writers. Peek: “(Inner Motivation): safety and security.”
Writing a Series: How Much Do We Need to Plan Ahead? from Jami Gold. Peek: “…for those who write by the seat of their pants or for those who like experimenting with ideas even as plotters, the story of their current book might be a mystery, much less the stories of future releases.”
Do Your Settings Contain Emotional Value? by Angela Ackerman from Writers Helping Writers. Peek: “…even though time has passed, an echo of that old hurt and rejection will affect him while in this restaurant.”
Windows & Mirrors: Promoting Diverse Books for the Holidays & Beyond by Judith Rosen from Publishers Weekly. Peek: “Last fall children’s booksellers in the Northern California Children’s Booksellers Alliance and the New England Children’s Booksellers Advisory Council challenged each other to see which region could sell the most diverse books in the weeks leading up to Christmas. This year that challenge is back.”
Character Rules by Yamile S. Méndez from Project Middle Grade Mayhem. Peek: “I’ve compiled a list of ways in which I can explore my characters’ traits to understand their desires, goals, and motivations from which all my stories enfold.”
- Step Right Up: How Doc and Jim Key Taught the World About Kindness, by Donna Janell Bowman, illustrated by Daniel Minter (Lee & Low, 2016)
- The Peculiar Haunting of Thelma Bee by Erin Petti (Mighty Media, 2016) & Changelings by Christina Soontornvat (Sourcebooks, 2016)
This Week at Cynsations
- Traci Sorell on Signing with an Agent
- Erin Petti & Christina Soontornvat on How to Be a Debut Author
- Linda Boyden on How Do I Write?
- Jaclyn Dolamore on Writing Beloved Books
Wow! I’m honored that my picture book Jingle Dancer (Morrow/HarperCollins)(discussion guide) is highlighted on the Native American Children’s Literature Recommended Reading List and Discussion Guide from the First Nations Development Institute in celebration of Native American Heritage Month.
Peek: “First Nations partnered with Debbie Reese, Ph.D. (Nambé Pueblo)… The idea is to encourage a ‘national read’ and discussion about these important Native narratives.” See also Ten Ways You Can Make a Difference. #NativeReads
What else? In the wake of the recent presidential debates, I’ve been thinking about gender-power dynamics with regard to joint public speaking events.
Male authors frequently interrupt or punctuate female authors’ answers with their own opinions. The one male author on a panel, for example, may say more than his three female co-panelists put together, never mind their efforts to graciously participate or the fact that they don’t interrupt him. Moderators too often serve only to reinforce these predispositions.
This is so common that women children’s-YA writers frequently joke about the symbolism of the microphone. It’s humor that comes from pain, plus truth, plus a determination to prosper anyway. It’s a coping device that shouldn’t be necessary.
At this moment in the national dialogue, let’s clean our own house and do better in the future.
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