All Izzy wants is for something interesting to happen in her sleepy little town. But her wish becomes all too real when an enchanting song floats through the woods and lures her little sister Hen into the forest…where she vanishes.
A frantic search leads to a strange hole in the ground that Izzy enters. But on the other side she discovers that the hole was not a hole, this place is not Earth, and Hen is not lost. She’s been stolen away to the land of Faerie, and it’s up to Izzy to bring her home.
But inside Faerie, trouble is brewing-and Izzy is in way over her head. A ragtag group of outlaw Changelings offers to help, and she must decide whether a boulder that comes to life, a girl that’s not quite solid, and a boy who is also a stag can help her save Hen before it’s too late.
Tell us more about your cover. How did it feel to see it for the first time?
It was a total thrill! When I opened the box of galleys that my publisher sent me, it seemed like the books were absolutely glowing. The cover art makes me want to dive in and see what is behind that door. I hope kids will feel the same way.
The girl on the cover is the main character, Izzy, who journeys into Faerie to find her little sister and bring her home. The three animals are the Changeling children who help her.
The Changelings are shape shifters who can make themselves look like almost anything for a short while. But they can only truly “Change” into a handful of forms – like the stoat, butterfly, and badger on the cover.
The little flying fairies are Pollenings. They play a very tiny, but important, part in the story. (And they make honey that goes great with pancakes!)
What was it like to see your characters depicted on the cover?
I actually didn’t think the cover would feature the characters at all, so it was such a wonderful surprise to see them in the first draft! When I got my first look at Izzy, I thought the artist captured her perfectly. She looks curious and thoughtful, and is having a very human reaction to all the magic around her – a mix of awe and nervousness! I’m sure most of us would feel the same way if we stumbled into Faerie.
I think it was a very wise decision on Sourcebooks’ part to have Izzy be the only human face we see on the cover. The artist could have drawn all the Changelings in their child forms, but I think that would have taken some of the fun away from readers being able to imagine them for themselves.
Tell us more about the cover design process. Where you involved?
The artwork and design were done completely without me – thank goodness! But my editor and art director did ask me for input on the characters, and we went back and forth several times to make sure the details were right and the cover was being true to them.
I am really lucky to have been involved as much as I was. I know that’s not always the case for authors!
I learned so much about covers during this process and the heavy lifting they have to do. The cover has to draw a reader in, give them a feeling for the writing and the story, but without giving too much away. Everything, from the font to the color palette, to the way the art wraps around to the back, contributes to that sense of wonder you want readers to have – before they even start reading.
The cover for The Changelings doesn’t depict an exact scene in the book, but I think it does everything you want a cover to do!
Oh, and there is a secret hidden in the cover as well. But you will have to read the book to figure it out!
Christina Soontornvat spent her childhood in small Texas towns, eagerly waiting for the fairies to come and kidnap her. They never came, but she still believes magic things can happen to ordinary people. When not writing, Christina hangs out in science museums and takes care of her own little goblins-ahem- children. She lives in Austin, Texas. The Changelings is her first novel.