Guest Post: Lisa Doan on Writing Humor: When Worlds Collide…

Lisa scuba diving.

By Lisa Doan
for Cynthia Leitich Smith‘s Cynsations

The phrase ‘When Worlds Collide’ sounds dramatically epic – something that should come with its own background music. Maybe a YA dystopian. Or a tragically doomed romance. Or a tragically doomed romance in a YA dystopian.

But for my purposes, When Worlds Collide is the underpinning of character-driven humor.

Each sentence uttered by every person on this planet is a tiny Morse code flag signaling a complicated internal world that has been carefully built. Facts supporting the world are filed away, facts challenging the world are rationalized or discarded.

This is the nature of the beast, and the beast is us.

Humor writers create larger-than-life internal worlds and then crash them into each other.

Mangrove Bight House – where Lisa lived in the Caribbean.

I’m always surprised when somebody tells me they can’t write humor. I have heard this from some of the funniest people I know.

Mainly I’m surprised because it’s not true.

We all watch When Worlds Collide in our own lives every time we think something like:

When (person I know) did/said (bizarre thing), I couldn’t imagine what (person I know) was thinking.

You know you can fill in the blanks to that sentence.

As humor writers, we can imagine what (person I know) was thinking – we built the internal world that led to the thinking.

And because of that, we can construct future (bizarre thing) did/saids that will be consistent with the character’s internal world, while at the same time inconsistent with societal norms.

One of the most effective vehicles to collide worlds is dialogue in which it is clear that multiple characters are coming at a situation from entirely different directions.

No explaining, no describing, no setting up – just let the characters have at it.

In The Berenson Schemes first book, Jack the Castaway (Darby Creek, 2014), when Jack’s parents have done something particularly egregious in Jack’s eyes, they often conclude with something along the lines of, “Now don’t thank us, son. We were happy to do it.”

Place those larger-than-life internal worlds in a plot that lives in its own unique world by skewing or super-sizing a truth about the real world. The Berenson Schemes series idea occurred to me after I heard about “helicopter parents.”

I thought, what about a helicopter kid who is saddled with very un-helicoptery parents? They could lose him.

No, strike that. They could lose him in foreign countries.

No, strike that. They could lose him in the wilderness in foreign countries. There we go.

One last thing I should mention about preparing to collide some worlds – look fear of failure in the eye and make it blink first. If it doesn’t blink, hit it over the head with a mallet or kitchen appliance – whatever is handy.

Fear produces tepid and time-worn jokes. Fear causes writers to water down an original idea.

Readers can smell fear.

And anyway, there’s nothing to be afraid of. You would never be that (person other people know) that did/said (bizarre thing), that other people couldn’t imagine what (that person who may or may not be you) was thinking. Right? ‘Cause I’m pretty confident that I’m never that person.

Aren’t you?

Beach Roatan in front of Lisa’s Caribbean’s house.

Cynsational Notes

Learn more about The Berenson Schemes Book 2, Jack and the Wild Life, and Book 3 (title to be determined).

Book Trailers: Water Can Be by Laura Purdie Salas, illustrated by Violeta Dabija

Compiled by Cynthia Leitich Smith
for Cynsations

Congratulations to Laura Purdie Salas on the release of Water Can Be, illustrated by Violeta Dabija (Millbrook, 2014). From the promotional copy:

Water can be a…

• Thirst quencher
• Kid drencher
• Cloud fluffer
• Fire snuffer

Find out about the many roles water plays in this poetic exploration of water throughout the year.

Water Can Be has received starred reviews from Publishers Weekly and Kirkus Reviews. See CSS Reading Guide and Teacher’s Guide. See more tie-in resources.

Laura and Lisa Bullard have also released a new e-book, Getting Published: How to Access Editors (A Children’s Writer Insider Guide from Mentors for Rent).

New Voice: Crystal Chan on Bird

Curriculum Guide

By Cynthia Leitich Smith
for Cynsations

Crystal Chan is the first-time author of Bird (Atheneum, 2014). From the promotional copy:

It’s only natural to have silence and secrets in your family when you’re born on the same day that your brother died. At least, that’s sure what it seems like for twelve-year old Jewel.

Add to that the fact that you’re the only mixed-race family in your rural Iowan town, and well, life can get kind of lonely sometimes. But when a boy named John moves into her town, his courage and charisma immediately stand out and the two kids instantly click.

John’s presence, however, has an unsettling effect on her family. As the thick layers of silence in her family begin to unravel, Jewel finds that her life is not as stable nor her family’s expectations as certain as she once thought. Suddenly, Jewel needs to choose whether to stay loyal to the person her family wants her to be or to claim her own identity, no matter the cost.

How did you approach the research process for your story? What resources did you turn to? What roadblocks did you run into? How did you overcome them? What was your greatest coup, and how did it inform your manuscript?

I needed to do tons of research for Bird. Jewel, the protagonist, is mixed race – Jamaican, Mexican, and white – and she wants to be a geologist when she grows up. Her sidekick, John, is a transracial adoptee (black adopted into a white family) and wants to be an astronaut when he grows up.

Find Crystal on Facebook.

I’m mixed race (Chinese-White), but not Jewel’s mix: I could speak to the mixed-race experience but needed to familiarize myself with the cultures she dealt with. I’m not an adoptee. And I’m awful at science. Clearly, a lot of work needed to be done.

I started off by learning as much as I could about Jamaica. I went onto Jamaican forums, news websites, and anything that gave me an “in” on Jamaican culture. I also picked up a college text on the various religions in Jamaica and paired that with online research.

The funny thing is, even though I live in Chicago and there are a lot of Jamaicans here, I didn’t meet a lot of people who wanted to be interviewed. (I even called the Jamaican embassy in desperation!)

A friend of mine said he knew a lot of Haitians in the area; if I change her race, I’d have a big pool of interviewees. A generous offer, which I turned down – I just knew she was part Jamaican. I even went to a meetup group where I knew the leader was Jamaican-American and got my first interview by attending her meetup group.

It was hard. I did find one other person willing to be interviewed, and I had two Jamaican-Americans read the manuscript cover to cover to give their impressions. That made a big difference for me: I felt I could relax a little after that.

Being mixed race, I often find myself misrepresented, and I want to really make sure that what I create is the most respectful and authentic work I can make. No short cuts.

Dad from Hong Kong
Polish-American mom from Wisconsin

For the transracial adoptee part, I hopped onto a number of Korean adoptee blogs.

I was surprised at the level of anger I found among adoptees.

And confusion.

And isolation.

Beyond the blogs, there was this essay I read: “Raised by White People” by Gina Miranda Samuels, published by the University of Chicago.

It really hit home for me that a lot of the identity issues of adoptees and mixed-race people are quite similar.

I also picked up some books written adult adoptees giving advice to potential adopting parents.

As for the science, I started off with a college geology textbook on Iowa, coupled with a lot of online research – Iowa DNR, for instance – on the geological history of Iowa.

I also looked at a lot of different minerals and gemstones, as that would be Jewel’s fodder for how she describes her world (“his face turned to onyx”).

With the astronomy, I picked up Astronomy for Dummies by Stephan Maran (For Dummies, 2010), went onto NASA’s and Hubble’s websites, browsed around there.

How did you go about identifying your editor? Did you meet him/her at a conference? Did you read an interview with him/her? Were you impressed by books he/she has edited?

I was invited to a private, full-manuscript critique at a writer’s house: it was 10 or so of us, our manuscripts, and an editor, Namrata Tripathi, for a weekend. It was really cool, and we prepared/ate meals together, etc.

I was working on my second manuscript at the time but didn’t have it finished, just 50 pages of a work in progress (WIP), but I submitted it anyway and hoped she liked it.

Well, a couple months later my agent and I were submitting my polished, fine-tuned manuscript (the original, not the WIP), and we decided to add Namrata to the submission list.

Crystal with Jia-You, also called Juanita

Well, imagine our surprise when she comes back and says: “Thanks, but no thanks – but I want to purchase that first 50 pages I read at that weekend some months ago – I can’t stop thinking about it!”

So my agent and I had some pretty big conversations, decided to stop our submission with the first manuscript, and sold the partial as a debut.

I was a little scared – I mean, what if she doesn’t like the ending? What if I choke?

Namrata was very clear that she didn’t want to interfere with my writing process – unless something disastrous happened, she only wanted to see the manuscript. after the first full draft. Which she did.

And then she was with me for the subsequent drafts and through publication.

Cynsational Notes

Crystal’s FAQ, mixed-race links, and recommended books about mixed-race experiences. See also an interview with Crystal from Crazy QuiltEdit. Peek: “Diversity is hard work, plain and simple, and it means giving up a bit of your defined world (your boundaries!) to be able to let others in, to see the ‘other’ as just as human as you are.”