Some things lie beneath the surface.
With the power to change everything.
Joy Malone wants it all—power, freedom and the boyfriend who loves her. Yet when an unstoppable assassin is hired to kill her, Joy learns that being the girl with the Sight comes with a price that might be too high to pay.
Love will be tested, lives will be threatened, and everyone Joy knows and cares about will be affected by her decision to stand by Ink or to leave the Twixt forever.
Girls Reading: What Are They Seeing (Or Not Seeing)? by Kelly Jensen from Stacked. Peek: “The girls overwhelmingly noted that they’ve not seen themselves reflected in the books they’ve been assigned to read for school and whether or not female authors or female main characters they’ve been assigned have been memorable for them.”
What to Do With a Franken Draft by Dianne K. Salerni from Writer Unboxed. Peek: “The first thing I suggest is outlining your book. Yes, outline it after you’ve written it and even if you had an outline before you started writing the thing. You may have had a plan, but what did you actually put into the manuscript?”
Why You and Me (Make That “I”) Need a Copy Editor by Rosie Genova from QueryTracker Blog. Peek: “I edit for a living, which gives me a strong command of grammar and usage, as well as a sharp eye for the typo. But guess what? I still need a copy editor for my own work.” See also Three When One Will Do by Mary Kole from Kidlit.com.
Writing Picture Books: Tips from the Top by Susan Hughes from Open Book Toronto. Peek: “…five well-known authors of award-winning picture books, Dan Bar-El, Ruth Ohi, Hazel Hutchins, Monica Kulling and Cary Fagan, generously share writing tips and suggestions.”
Passion, Strengths & Uniqueness: Build a Writing Career by Darcy Pattison
from Fiction Notes. Peek: “Why mess around writing mediocre pieces?
Instead, find the one thing that you do best and no one else can match
Attention Beginners! Don’t Rush Your Writing by Tracey Adams from PubSmart. Peek: “They are in a terrible rush. They haven’t done their homework. Sometimes they don’t even have a full manuscript yet. And then, usually…nothing happens.”
When You Sense Something is Wrong by Avi from WordCraft. Peek: “Sometimes you need to make a big change. As in life, so it is in writing: big changes are hard to make. What kind of changes? A fundamental shift in plot, character, ending, beginning, middle….”
Timing the Time Travel in Your Novel by Deborah Halverson from DearEditor.com. Peek: “If your pre-time travel portion exists mostly to establish the current world so we can understand the psychological impact of leaving it, be quick about that task. However…”
Is It Okay to Mine Real Relationships for Literary Material? by Francine Prose and Leslie Jamison from The New York Times. Peek: “Writers need to be careful about putting their children in memoir or in fiction, for the reason I’ve mentioned above. We’re their custodians.”
Ditch the 10,000 Rule! Why Malcom Gladwell’s Famous Advice Falls Short by Peter C. Brown, Henry L. Roediger III, and Mark A. McDaniel from Salon.com. Peek: “Spacing out your practice feels less productive for the very reason that some forgetting has set in and you’ve got to work harder to recall the concepts. It doesn’t feel like you’re on top of it. What you don’t sense in the moment is that this added effort is making the learning stronger.”
Tip Sheet: Picture Books are for All Ages by Elizabeth Bluemle from Publishers Weekly. Peek: “The term ‘picture book’ simply refers to a book format in which art and text depend on one another for the full meaning of the book to emerge. Picture books span a wide range of intended ages. There are picture books for babies, picture books for just about every age of childhood, and picture books for adults.”
Diversity in Children’s-YA Publishing
Thoughts from a Scared, White Author on Diversity in Kid Lit from Lisa Schroeder. Peek: “I think the most important thing to remember is: it’s okay to be afraid. Do it anyway.”
Editing Across Culture
by Yolanda Scott from CBC Diversity. Peek: “…despite my best
intentions, my predominantly white upbringing, educational background,
and chosen profession have not adequately prepared me to be as racially
and culturally sensitive as I would like.”
Diversity in Children’s Literature: The Search for Missing Characters (& Authors) of Color by Sayantani DasGupta
at From the Mixed-Up Files…of Middle Grade Authors. Peek: “When, in
mid-March, an attendee at the the New York City Teen Author Book
Festival asked why she had only seen one author of color speak all
weekend, no one had a good answer for her.”
See also Children’s Literature: Apartheid or Just a General Lack of Color from 90.9wbur. It’s a radio interview with Chris and Walter Dean Myers.Their respective recent articles in The New York Times (Walter’s Where are the People of Color in Children’s Books?) and Chris’s The Apartheid of Children’s Literature) have been much discussed of late. In the new radio interview, Walter says:
don’t want my grandchildren to think of themselves only in terms of
slavery, the Civil Rights Movement. I want them to have a full range of
|Enter to win!|
- Guadalupe Garcia McCall on Writing & Teaching Poetry
- New Voice: Yvonne Ventresca on Novel Research, Author Marketing & Pandemic
- Deborah Halverson on Setting, Wherefore Art Thou?
- Book Trailer: Don’t Call Me Baby! by Gwendolyn Heasley
|Book 1 of Feral trilogy|
|Book 1 of Tantalize series|
Yes, other books and shorts were released along the way, but these interlocking stories represent a major portion of my body of work and total 458,169 words.
Whew! Let’s pause on that number: 458,169. It’s pushing a half million.
“It sounds like a lot, but it’s actually all about the incremental effort: one word at a time; one stitch at a time. One short story at a time. One submission at a time, one publication at a time. That’s how you’ll make a career.”
What else? If you are interested in publishing or cats (or both), check out Editors: Wrangling Cover Art from Meanjin. It’s informative and funny.
FYI: I read a nonfiction book published for grown-ups (shocking, I know)! Salt Sugar Fat by Michael Moss (Random House, 2013) is a thorough look at the processed foods industry. It’s fascinating, well written, and you’ll never look at the inside of a grocery store the same way again.
Kudos to Greg Leitich Smith on the rave review of Little Green Men at the Mercury Inn (Roaring Brook, 2014) from School Library Journal: “An accessible and whimsical read, this should have wide appeal.” Plus, “[t]he quirky setting and diverse characters add originality….”
|My inner child will not be denied.|
|Dressed for Easter brunch at Crave in downtown Austin.|
Soman Chainani, Laini Taylor, John Corey
Whaley & Margaret Stohl,at LA Times Festival of Books,
Thanks to my publisher, Candlewick Press, for the above photo (and for sponsoring me for the event)! The lighting in the auditorium is a bit odd, but at least you can see us all.
- Kraft Recalls 96,000 Pounds of Oscar Myer Classic Wieners
- “Star Wars” TIE Fighter Engagement Ring
- William Shakespeare’s Star Wars
- New “Godzilla” Trailer: See the Monster Roar
- Marion Dane Bauer on Letter Writing & Mingling Souls
- Growing Up as an Only Child, Fictional Characters Were My Siblings
- 50 Latino Children’s Books You Should Know
- 10 Signs You’re Burning Out (And What To Do About It)
- Small-Press Publishing
- Kristi Holl on A Writer’s Need to Prune
- “The Kelsey Job,” a short prequel to The Great Greene Heist by Varian Johnson
|Varian, Jenny and Greg brainstorm launch ideas at House Pizzeria in Austin.|
Writing and Illustrating for Young Readers will be held June 16 to June 21 at the Waterford School in Sandy, Utah. Keynote speaker: James Dashner; faculty includes Cynthia and Greg Leitich Smith. Learn about the WIFYR Fellowship Award (deadline Monday!). See also Alison L. Randall on Choosing a Writing Conference.